2014年4月29日星期二

Liberty Leading the People

Liberty Leading the People is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X of France. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the flag of theFrench Revolution – the tricolor flag which is still France's flag today – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.

The Painter's Studio

The Painter's Studio: A Real Allegory of a Seven Year Phase in my Artistic and Moral Life is an 1855 oil painting on canvas by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.
Begun in late 1854, he completed it in six weeks. "The world comes to be painted at my studio" said Courbet. The figures in the painting are allegorical representations of various influences on Courbet's artistic life. On the left are human figures from all levels of society. In the center, Courbet works on a landscape, while turned away from a nude model who is a symbol of academic arttradition. On the right are friends and associates of Courbet including writers George Sand andCharles Baudelaire, Champfleury, Pierre-Joseph Proudhon, collector Alfred Bruyas, and François Sabatier and his wife, Caroline Unger. The ghostly female figure visible to the left of Baudelaire (in the right corner of the painting) is believed to be Baudelaire's mistress Jeanne Duval, who Baudelaire requested to be painted over.

2014年4月27日星期日

Hylas and the Nymphs

Hylas and the Nymphs (1896) by John William Waterhouse
In classical mythology, Hylas was a youth who served as a companion of Heracles (Roman Hercules). His abduction by water nymphs was a theme of ancient art, and has been an enduring subject for Western art in the classical tradition.

Where Do We Come From? What Are We? Where Are We Going?

Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: P. Gauguin / 1897. The painting was created in Tahiti, and is in the Museum of Fine Arts in Boston, Massachusetts, USA.

Adam and Eve

Adam and Eve by German Renaissance artist Albrecht Durer.
Completed in 1507, the work followed a 1504 copper engraving by Durer on the same subject, one which offered Durer the opportunity to depict the ideal human figure. Painted in Nuremberg soon after his return from Venice, the panels were influenced by Italian art. Durer's observations on his second trip to Italy provided him with new approaches to portraying the human form. Here, he depicts Adam and Eve at human scale—the first full-scale nude subjects in German painting.
Adam and Eve's first home was the Prague Castle, the property of collector Rudolf II. During theThirty Years' War, armies plundered the castle and the panels came to be owned by Gustavus Adolphus of Sweden. His daughter, Christina, gave the work to Philip IV of Spain in 1654. Later King Charles III ordered in 1777 that the painting be hidden in the Real Academia de Bellas Artes de San Fernando. It arrived at its current home, Madrid's Museo del Prado, in 1827, but was not publicly displayed until 1833.


Horsewoman

Oil Painting Reproductions
Horsewoman. Portrait of Giovanina and Amacilia Pacini, the Foster Children of Countess Yu. P. Samoilova

Countess Yulia Samoilova was a rich heiress and Brulloff's mistress. After her first marriage to Count N. Samoilov, which ended with a permanent separation, she traveled all over Europe, living mostly in Italy and Paris. She met Brulloff in Rome and they fell in love. She supported him throughout his life and he painted numerous portraits of her. Unfortunately, they could not marry because divroce was illegal under the tenets of the Orthodox church. We can see her face in The Last Day of Pompeii as the mother with two daughters, as the dead woman in the center of the picture and several others.

2013年11月11日星期一

Nude!Modern Women Art Oil Painting

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University of New York at the broad method botanist Vincent Albert, notes that “other plants can also play the same tricks. The gene has appeared several times in the process of evolution.”
However, van gogh’s paintings is he saw the real Nude oil painting, obviously these are doing experiments are also dare not jump to conclusions. Since no one can break the confused, as the “Nude oil painting” mystery to nature’s most authoritative justice bees to sentence. In 2005, the British queen Mary, university of London professor lars want card did an experiment, a group of have never seen real flowers bees flying in front of the four famous painting color gorgeous replica, and see which picture can realistic-looking, fan pour honey bees fly away.
Results, at the same time, a swarm of bees fly to van gogh’s “Nude oil painting” 146 times, stop falling 15 times in the above, it is defeated by a large margin of Paul gauguin, a bottle of flower, Patrick McCall’s “pottery” and, fernand leger, quiet life and beer, become into the favorite flowers bees.
Just don’t know, when “the authority” bees stay in van gogh’s “Nude oil painting”, their eyes with their chela needle contact most real flowers, but found stabbed on the hard-packed sketchpad, would like a botanist feel suspicious: “the Nude oil painting is it true?”